chinese

DEBRIEF: Publishing Two Books!

Bako KuchingThis is a view of Bako National Park in Kuching, Borneo, home to millions of flora and fauna many of which are still undiscovered and unknown to humans. It seems the opposite of the Hong Kong in the photo below, yet both of these places are where Cry of the Flying Rhino was born.IMG_9230

Publishing Cry of the Flying Rhino traditionally and publishing Heart of Glass through Crowdfunding:

Before my book launch in Hong Kong, Borneo-based US author of Lovers and Strangers, Robert Raymer, had talked to me about having two books out not quite but nearly at once after writing for so many decades. We discussed both traditional publishing and the crowdfunded system ofpublishing for Heart of Glass. I was very chuffed that Robert had written the advance commentary for my book Cry of the Flying Rhino. I had admired his writing from a very long time ago, in fact, 31 years to be exact, when I first met him. I was a 17 year old schoolgirl and I had just won my first “prize” in writing, which was a Writer’s Workshop in Kuala Lumpur. It was the second time I submitted a short story to the New Straits Times for a competition and the first time I won anything in my life or travelled to the capital city on my own. Therefore it was a rite of passage for me. I read Robert’s books when I was a young adult (in those days there was no such thing as YA fiction). You are either an adult or not an adult.

The magic of writing and the beauty of ideas all begin in the mind, in the imagination. One day it is somewhere else, in someone else’s mind and imagination. Read Robert’s post after the book launch, where a book about Borneo finally arrives in Borneo in the very place where the novel is set!

Check out my SHOP where you can purchase SIGNED FIRST LIMITED EDITIONS of Cry of the Flying Rhino. Find out why this book won outright for the first time in 9 years of the International Proverse Prize competition.

USEFUL LINKS

If you would like unsigned copies, please go to

Paperback: amazon.com
Paperback: amazon.co.uk
Kindle eBook: US

Kindle eBook UK 

NEW author pages! See below:
Amazon author’s page
Goodreads author’s page

GREAT NEWS: Cry of the Flying Rhino now available, paperback, ebook

IMG_9368NEW: Cry of the Flying Rhino LIMITED EDITION, FIRST EDITION, SIGNED is now available in my online SHOP:

Find out why this book won outright for the first time in 9 years of the Proverse Prize competition. Check out my online SHOP for a LIMITED EDITION, FIRST EDITION, SIGNED COPY of Cry of the Flying Rhino and other books.

UK £16.75 including first class postage
Rest of world £22.50 / USD29.81 / SGD40.34

**UPDATE**: I can/will/should gift wrap if you say it’s a gift. ”Tis the gifting season.

Note: There are a handful of SIGNED copies already in Australia with my brother. Postage will be less, or nothing, for the lucky AUSSIES who would like a SIGNED first edition.

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Note also: If you are in LONDON and would like to save on postage, it is £14 for a SIGNED first edition, but we have to meet in person.

They are also on Amazon UK and Amazon USA as ebook and paperback, but naturally unsigned as I am not sitting in the Amazon factory signing away. Though sometimes I wish I was.

“Anyone impressed, anyone imprinted upon and inspired by Lalwani, Roy, Chatterjee, Burgess, Lowry or Orwell, will be correspondingly affected by Ngeow.” – Professor Jason S. Polley, Department of English, Hong Kong Baptist University

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SNEAK PREVIEW: The Helena May Club book launch venue Hong Kong

room-blue_room-bToday’s inspo: just wanted to share these photos of the 1916 venue of the book launch and prize ceremony. This is the Blue Room where the event will be held. I am very excited to be launching my award-winning postcolonial novel Cry of the Flying Rhino here! Originally built for the protection of women’s rights,. I think it’s going to be a symbolic, meaningful and once in a lifetime experience and one that I will treasure forever or at least until I have senile dementia. The Helena May is a historic post WWI building and it is fully restored. It is built in the classical colonial villa style with the articulated frieze consisting of dentil corbelling at the cornice level and the Italianate balustrading on all levels. The entrance portico has a curved pediment and the classical entrance columns are of the Corinthian order. The windows are casement and have no articulation. On the street elevation, There are flattened arched openings on the ground and first level from which the windows are set back in a gallery-style colonnade.

During WWII (the Japanese occupation) the building was used by the Japanese forces as stables for their horses! After the war, in 1947, the Royal Air Force took over the building. Disclaimer: I wrote all this architectural analysis myself, so if there are any errors in terminology, well, tough.)

“The Helena May was founded in 1916 and named after Lady May, the wife of Sir Henry May, Governor of Hong Kong at the time. Funded largely through the generosity of two local philanthropists, Sir Ellis Kadoorie and Mr. Ho Kom Tong, CBE, it was originally established to support women living and working away from home, and contributing to the Hong Kong community. Lady May’s original vision, enshrined in the organisation’s constitution, is central to today’s community outreach programme which focuses on the needs of women and girls living in Hong Kong.”

“From the outset, The Helena May has been an organisation for women led by women. The driving force was Lady May who, as President of the Y.W.C.A and mother of four daughters, was very aware of the lack of facilities for women and girls in Hong Kong. She provided leadership and direction to The Helena May in the early years that set a strong foundation.”

HK_TheHelenaMay HM club HM club blue room HM room-garden-b

Editing, schmediting and COVER DESIGN!

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I have been working on the cover design with the graphic designer who has designed bestsellers like The No. 1 Ladies Detective Agency by Alexander McCall Smith and Marina Lewycka’s A Short History of Tractors in Ukrainian. As a designer myself, I find it both easy and hard to take the back seat and let someone do the driving. I’ve even done a moodboard, see below, as the designer inside me always kicks in when you don’t want it to, like at 5 am. The last update I wrote was 24 May just before half term break. I seem to be making updates just before the end of term. Today is the last week of term. Subliminally I don’t know if I will survive school holidays. That is why I have to do my updates just before school breaks up. Question time: “Where’s. Me. Book. Where’s. Your. Book. Where’s. OUR. book.” Answer: It will be out soon – follow these updates closely from now. The clock is ticking. Baby will arrive soon. Parents, be brave! Writers, be braver!

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EXCLUSIVE: Heart of Glass structural edit AND Cry of the Flying Rhino publication date

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Doctor: So what seems to be the problem?

Dude, I am not allowed to complain because I was and am a writer therefore I am already a masochist. In fact I am hanging upside down now flogging myself. It took me more than a decade (I think 13 years and still counting) to write both these books. They are at last both being published the TRADITIONAL way which was what I wanted. It’s a dream come true so that is why I am not allowed to complain. Headache, backache, finger pain, joint and wrist pain, hangover, insomnia, stress, hives, hypertension, hyperventilation, just hyper, overeating, undereating, sick or feeling sick, nauseous, tired, exhaustion, not enough sleep, too much sleep, over caffeinated, under caffeinated, not enough guitar-playing, too much guitar-playing. A Tale of Two Books in Two Months. If I complain, somebody please give me a slap.

And this is caused by?

Myself. Over the last five weeks I have been feeling very stressed, not only were there three disasters in succession in London – the London Bridge attack, Grenfell Tower fire, and the Finsbury Park mosque attack, I have had to handle the most crucial process of the fantasy world of writing and art. Turning them from ideas to reality. There were actually real disasters going on out there that I just could not ignore. My own writing and art have suffered delays because I am in that crazy living-the-dream situation of having two books out this year and at any one point, one has to be ignored (usually “one” means me, but this time it means one of the books). It’s called sibling rivalry and I cannot give attention to both at the same time. I am a mum so I know this for sure.

What have you been doing all this time?

Well first I wrote the books. That’s when all the trouble began. Then I crowdfunded one of them and sent one to an international competition. More trouble. Now that’s all over and this timeline begins:

Thursday 30 March 2017 – Submit Heart of Glass MS for structural editing. Finished editing Cry of the Flying Rhino and sent back to Hong Kong.

Friday 12 May 2017 – Received HoG MS with commentary back and Unbound editor’s crib sheet (London)

 Tuesday 16 May 2017 – First round HoG structural edit begins. Work with publisher closely. Start building and compiling international network of writer, blogger, journalist, lecturer contacts for Cry of the Flying Rhino (London, Hong Kong, Malaysia, Singapore… so far) PR later on.

Tuesday 6 June 2017 – First round HoG completed and handed back to Unbound. Start on Cry cover designs.

Friday 9 June 2017 – Heart of Glass Editor pleased. Replied with another sheet of minor comments.

Monday 12 June 2017 – Second round begins. Hand in the Cry of the Flying Rhino cover designs for publisher’s comments

Wednesday 21 June 2017 – Received news that the launch date of Cry is Thursday 16 November 2017 in Hong Kong where I will be travelling to to receive my prize and to do the launch. I am not sure what that entails.

Thursday 22 June 2017– Handed back HoG (this is where we are at). Revise Cry cover designs. Go to printer shop, print and test 300 DPI resolution OK or not. If not OK, must re-do at 600 DPI. Received email that two Hong Kong authors/lecturers have written their advanced comments for Cry back cover text.

Why did you undertake the design of the Cry book cover?

Note: Although the publisher in Hong Kong, Proverse, has a designer to hand, I am actually a designer myself and have been for the last 22 or 24 years (lost track myself) though not a print designer. I know the software backwards. I laid out my school newsletters, Uni journals etc. Since then I have designed countless artwork for my architectural business, band promotional material, posters, CD covers, leaflets, coffee morning artwork for the school, piano lesson artwork etc. Therefore I felt roughly competent and being the OCD control freak that I was, I felt compelled to undertake it. To see the two draft designs click here.

What’s your plan now?

To keep juggling the two as I don’t know how to do a book launch for one book let alone two. Hold that thought. Check back soon. The juggler will be back on the circuit once the traffic congestion eases.

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Possibly me today

 

SNEAK PREVIEW: Cry of the Flying Rhino book cover draft designs

Cry - cover option B Cry - cover option AA Cry - cover option A

Because I am a control freak, I decided to have a stab at cover design myself. The first one, the black and red one is inspired by Iban tattoo pattern and Alfred Hitchcock film posters by illustrator/artist Saul Bass. But I think it might be deemed too London, too retro. The second and the third are variations on the same which the idea of the rich mystery of the deep, dark jungle.

Guess which one the publisher chose? It surprised me too.

EXCLUSIVE: L@@k inside Heart of Glass cutting room!

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“Do not enter when light is on!” Structural edit:  that means blasting, incision, internal tissue re-organisation and cosmetic surgery. But of course, I am not talking metaphorically at all. I am talking about the body of work. Words. I’ve created strict exam conditions in the attic AKA the cutting room. There’s no furniture. I sit on the floor monk-like so it’s not very comfortable and I cannot fall asleep. The only distractions I am surrounding myself with are:

  • Junk food, some “guilt-free”, if you believe the wrappers;
  • Only two musical instruments for when the going gets tougher (limited to only two, otherwise it will turn into a party);
  • Vintage Sennheiser headphones to listen to the music from the book to remind myself of the great songs which inspired the story. Playlist? Yes? A musical? Maybe?!

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My editor, who has worked in top publishing houses such as Orion, Hodder & Stoughton, Headline and Bantam in New York, is a specialist in this genre and has editted bestselling authors such as Linwood Barclay, Tess Gerritsen et al. We are in this together, me, you and him, and we are going to make Heart of Glass the best that it can be. And a tight deadline. I started on this process 10 days ago. I should be done with this edit in another two weeks. 79,000 words in three weeks, right? What do you mean “Vitamin D deficiency”? OK. Until then… IMG_6367

Seafood Wat Tan Hor at Chop Chop in Shepherds Bush

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This is probably the worst meal I have ever had. I think my shoe is tastier. It cost 5.80 the princely sum for the worst meal I have ever had. I am also MSGed up to the eyeballs so will need a walking stick for the next few hours while my eyes adjust to natural daylight. It is starchy, bland and gloopy. It’s like eating hot clothes which have just come out of the washing machine.

When you are craving Seafood Wat Tan Hor and it’s on the menu, of course you order it. They had the cheek to offer me chilli sauce at the extra charge of 50p a serving. Nothing can save this dish so I politely or maybe impolitely declined. If this place was in Malaysia it would have shut down straightaway! The vegetables were nearly raw (this is the best bit, at least it was healthy). And I am a good girl, always have been, I ate all the vegetables. There were two prawns from a packet, a few crab sticks, a few squid slices, all from a packet. I don’t understand this business with the two slices of cucumber. Since when did Wat Tan Hor have cucumber?

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100% in 100 days: Crowdfunding my book “Heart of Glass”

HOG 100

Crowdfunding. Is. Over. The three big little words. 100% in 100 days. And the last 3%? Was the longest, shortest journey in the world (I used to say that about giving birth: new person travelling down 62mm birth canal takes what? Anything from about 2 to 20 hours.) But what a push. What a journey. Made me laugh, made me cry, made me wait, made me cry some more, made me eat carbs. The congratulations have been pouring in from y’all. Since last post, Stephen McGowan, Mary Fivey, Gemma Lloyd-Jones, Jessica Duchen, Lisa Radoje, Lulu Allison, Johari Ismail (my repeat patron!), Jacqueline Sardinas, Nicole Vatanavimlakul have come on board the Heart of Glass cruise and others previously named. 100 days is not long for someone who has been writing for 40 years. So many, many thanks to you. Supporters, apparently you get a top quality, first edition, limited edition paperback, months ahead of the shops – which I did not know before. That’s a bonus, right? A surprise!

If you would like to become a patron, you can! Up to the point where in some factory they press print, you can still have your name listed. Head over here.

Next step: editorial team will be in touch with me in the next week or so to introduce me to my developmental editor and start the editorial process. More news to follow very soon! I love to hear from you. Please leave me your feedback or comments. If you liked the vlog, please share.

“Ya’ve been a wunnerful audienz.”- Elvis Presley

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