Because I am a control freak, I decided to have a stab at cover design myself. The first one, the black and red one is inspired by Iban tattoo pattern and Alfred Hitchcock film posters by illustrator/artist Saul Bass. But I think it might be deemed too London, too retro. The second and the third are variations on the same which the idea of the rich mystery of the deep, dark jungle.
Guess which one the publisher chose? It surprised me too.
Welcome to the Cinema. Make yourself comfy and watch my 1980s-inspired show. Go on! It’s only 1 minute 19 sec long, I swear. Join in the discussion. The 1980s Reagan era was a time of excess, greed and materialism. Do you agree? Which song or songs from the 80s do you identify with which reflect these values? OK I’ll start. “I’m Coming Out” by Diana Ross. Why? It’s disco, innit.
To everybody especially those passengers who have just boarded HMS Ivy the Heart of Glass cruise in the last three weeks – Hello to Andrew Lee, Serena Lowe, Paul Greenleaf, Tracey Husbands, Peter Fuller, Serif Jones, Simon Vrij, Amy Carr, Clair Whiteman, Nadege Houlbrooke-Bowers, Charlotte Callister, Rebecca Ollis, John Wong, Sadie Nathanson-Regan, Mihori Erdelyi, Cissy Piercy, Lesley Ewels, Vanessa Moloney, Stella Soh, Gloria Chin, Kate McVeigh, Hugh Graham, Shirley Hartley, Luciana Sena, Lee Eng Seng, Emma Chase, Simon Miller, Sophie Chong, Vivienne Woon, Ania Kielbasa, Emma Bowman, Andrew MacDonald, Maria Donoghue, Sandy Noble, Sabine Goodwin and each of you previously thanked for joining the Heart of Glass journey. We are 161 strong today, we are 88% funded, 12% to go. Apologies if I have not already contacted you directly to say thanks – it is because I do not have your contact details.
My name is Ivy Ngeow and I am an award-winning writer. I am raising funds for Heart of Glass, a finished product, a completed novel of 74,000 words, with Unbound, an imprint of Penguin Random House. When the funding target is reached, the book will be go into publication.
It is a unique story. There is nothing like it on the internet or in the market. It is cross-genre and features themes of music, crime noir, vintage 1980s in an international setting, with an Asian female protagonist. It is an underdog story, addressing issues of life as an immigrant in a big city, whose constant desire for success is often squashed by repeated failure. This is a story that needs to be told. The ambience is rich and stylish. The setting is dark, exciting and exotic, set in the days of disco, drugs, smuggling and casinos.
Please support my project and me as a writer
1/ to make the book a reality. Readers and writers today are part of something exclusive and special, a community, a network, a team.
2/ to invest in the publication. The book does NOT required funding to be written. The funding is purely for pre-sales to enable its publication with Unbound, getting it off my hard drive and into the world.
3/ to promote cultural diversity and the post-colonial writer, who is from an ethnic minority that is under-represented in fiction, a non-English person writing in English. I am not only writing in my second language, I am writing about immigrants.
“It is commercial, punchy, crossover, popular fiction.” – Anna Jean Hughes, Editor, Pigeonhole Publishing
Imagine my excitement to discover that my original illustrations are still around – on BBC, YouTube! In my sentimental journeys into the past, enjoy the discovery of analog becoming digital, from TV to internet streaming. In those days, the drawings were prepared and then they were printed and couriered to BBC in White City in a hard envelope. There was no such thing as PDF! There was email but it was rare. You couldn’t email a thing to anyone because no one would even know they got an email. It was 18 years ago and I was young. However, I am still uber-, molto-, uber- technical. Although technology has changed so much, the precise nature of graphics hasn’t.
CAUTION: has graphic content that may be disturbing to some. This explains why I did not watch it in the first place when it was aired.
My sweet little monkey, just look at your face. I often thought of you all these years. I did not know you are still around, and will be forever.