Because I am a control freak, I decided to have a stab at cover design myself. The first one, the black and red one is inspired by Iban tattoo pattern and Alfred Hitchcock film posters by illustrator/artist Saul Bass. But I think it might be deemed too London, too retro. The second and the third are variations on the same which the idea of the rich mystery of the deep, dark jungle.
Guess which one the publisher chose? It surprised me too.
“Do not enter when light is on!” Structural edit: that means blasting, incision, internal tissue re-organisation and cosmetic surgery. But of course, I am not talking metaphorically at all. I am talking about the body of work. Words. I’ve created strict exam conditions in the attic AKA the cutting room. There’s no furniture. I sit on the floor monk-like so it’s not very comfortable and I cannot fall asleep. The only distractions I am surrounding myself with are:
Junk food, some “guilt-free”, if you believe the wrappers;
Only two musical instruments for when the going gets tougher (limited to only two, otherwise it will turn into a party);
Vintage Sennheiser headphones to listen to the music from the book to remind myself of the great songs which inspired the story. Playlist? Yes? A musical? Maybe?!
My editor, who has worked in top publishing houses such as Orion, Hodder & Stoughton, Headline and Bantam in New York, is a specialist in this genre and has editted bestselling authors such as Linwood Barclay, Tess Gerritsen et al. We are in this together, me, you and him, and we are going to make Heart of Glass the best that it can be. And a tight deadline. I started on this process 10 days ago. I should be done with this edit in another two weeks. 79,000 words in three weeks, right? What do you mean “Vitamin D deficiency”? OK. Until then…
I am thrilled my first novel Cry of the Flying Rhino has won this prestigious international literary prize for an unpublished full-length work of prose fiction.
Winning the 2016 Proverse Prize is important in promoting excellence in literature and the love of and for books, across all boundaries of race, country, creed. International writing is still at the heart of postcolonial literature, which as a Commonwealth writer, I am proud to represent. Results were announced in the spring reception in Hong Kong on the evening of Thursday 27 April 2017. Cry (89,119 words) will be published in November in Hong Kong this year. I will travel there to receive the prize, to meet the judges, the publishers, readers, writers, guests, the organisers and finally,my book.
I entered the competition on 19 May 2016 before I even wrote to Unbound regarding Heart of Glass. It is a cash prize of 10K HK dollars (look it up, pound has gone down) and publication of the book. Having written for some 40 years with so much blood, sweat and tears (cliche, sorry, yes I know, but how else to put it?), indeed I am crying and my skin is thick as a rhino’s. I have managed to get not just one book out, but both, this year. Although it seems like a coincidence, it is not. I only started submitting my work with any seriousness last year and despite everything,
I carried on like some kind of bumper sticker. (“If life gives you lemons” etc). Rejection after rejection (the holy grail of all writers) and eventually acceptance.
About the book:Cry of the Flying Rhino, told from multiple viewpoints and in multiple voices, is set in 1996 in Malaysia and Borneo. Malaysian Chinese GP Benjie Lee has had a careless one night stand with his new employee – mysterious, teenaged Talisa, the adopted daughter of a wealthy, crass Scottish plantation owner, Ian, in the provincial Malaysian town of Segamat. Talisa’s arms are covered in elaborate tattoos, symbolic of great personal achievements among the Iban tribe in her native Borneo. Talisa has fallen pregnant and Ian forces Benjie to marry her. Benjie, who relished his previous life as a carefree, cosmopolitan bachelor, struggles to adapt to life as a husband and father. Meanwhile, an Iban called Minos has languished in a Borneo prison for 10 years for a murder he didn’t commit, and is released into English missionary Bernard’s care. When one day, a Minos and his sidekick Watan appear in Segamat, Benjie has to confront his wife’s true identity and ultimately his own fears. He has only just noticed that he is losing money in large amounts. Could the tattoos be the key to her secrets?
About the publishers: Proverse Hong Kong is based in Hong Kong with regional and international connections. The International Proverse Prize for Unpublished Non-fiction, Fiction and Poetry is open to all irrespective of residence, citizenship or nationality. The Publishers were born in the UK and have lived and worked in many countries. They visit Australia, Europe, Japan, Mainland China, Malaysia, New Zealand, Singapore, the United Kingdom and the USA.
Previous winners of the Proverse Prize: Rebecca Tomasis, for her novel, “Mishpacha – Family” Laura Solomon, for her young adult novella, “Instant Messages” Gillian Jones, for her novel, “A Misted Mirror” David Diskin, for his novel, “The Village in the Mountains” Peter Gregoire, for his novel, “Article 109” Sophronia Liu, for her collection of sketches, “A Shimmering Sea” Birgit Linder, for her illustrated poetry collection, “Shadows in Deferment” James McCarthy, for his biography, “The Diplomat of Kashgar” Philip Chatting, for “The Snow Bridge and Other Stories” Celia Claase, for her essay and poetry collection, “The Layers Between” Lawrence Gray, for his novel, “Adam’s Franchise” Gustav Preller, for his novel, “Curveball: Life never comes at you straight”
Crowdfunding. Is. Over. The three big little words. 100% in 100 days. And the last 3%? Was the longest, shortest journey in the world (I used to say that about giving birth: new person travelling down 62mm birth canal takes what? Anything from about 2 to 20 hours.) But what a push. What a journey. Made me laugh, made me cry, made me wait, made me cry some more, made me eat carbs. The congratulations have been pouring in from y’all. Since last post, Stephen McGowan, Mary Fivey, Gemma Lloyd-Jones, Jessica Duchen, Lisa Radoje, Lulu Allison, Johari Ismail (my repeat patron!), Jacqueline Sardinas, Nicole Vatanavimlakul have come on board the Heart of Glass cruise and others previously named. 100 days is not long for someone who has been writing for 40 years. So many, many thanks to you. Supporters, apparently you get a top quality, first edition, limited edition paperback, months ahead of the shops – which I did not know before. That’s a bonus, right? A surprise!
If you would like to become a patron, you can! Up to the point where in some factory they press print, you can still have your name listed. Head over here.
Next step: editorial team will be in touch with me in the next week or so to introduce me to my developmental editor and start the editorial process. More news to follow very soon! I love to hear from you. Please leave me your feedback or comments. If you liked the vlog, please share.
Blogger Peggy Loh is a writer herself. She is, like me, born a writer, and born and raised in Johor Bahru. She is a writer with the New Straits Times.
Read Peggy’s detailed and insightful write-up here of Heart of Glass and of me. Check out her blog also at peggyloh.com which is called MY Johor Stories. Her blog has a wonderful vintage feel as she knows the old world well and tells her stories vividly and with so much atmosphere.
If you have been wondering “why Chicago, why Macau?” why not take a look at the original, vintage settings? See inside the excitingly rare1964 book found in a wet market (Chowrasta) in Georgetown, Penang, which inspired the ideas and setting of Heart of Glass. Hope you are “stirred, not shaken.” (HINT)
Welcome to everyone on board HMS Ivy boat, especially those who have just embarked. “Why crime?” Indeed. Without further delay, make yourself a cup of coffee or a martini and watch it now. It’s only 5 minutes long, packed full of ideas and most of all contains ORIGINAL vintage material not available anywhere on the internet!
I was very lucky to have been given an invitation to attend Ewan Lawrie’s book launch in Islington. This would be the first time I am meeting an Unbound author and in fact the first time I would be meeting an author that I had got to know first through social media.
Times have indeed changed. The first time I met an author was Catherine Lim, bestselling author of The Bondmaid, in Singapore, when I was a schoolgirl, a tweenie (this is somewhat anachronistic: there was no such word at the time, you were either a child or you weren’t). I was very impressed that she was not only leggy and slim, she wore killer stilettos and the traditional tight-fitting cheongsam with high slits. This was the 80s after all. Phwoar! I thought she was glamorous and that I probably should be a writer. Little did I realise. It is so totally not glamorous. It is 16:52 on Sunday and I am in my pajamas, typing this blog, sipping a moscow mule.
Gibbous House is about the adventures and misadventures of this thug called Moffat who has just inherited some assets and is making the journey up north to claim his goodies. It is very rich in atmosphere and detail. I have not got to the point why the book is named so, because gibbous means hunchbacked. I am on Chapter 5. Because of the florid Victorian lingo and voice, I have to slow down and take it all in.
I got to know Ewan through Unbound. I bought his book because I really love the Victorian gothic genre. I had read all of Sarah Waters’ books. I read up to page 12 of the book on the underground on my way to the launch, as I received it from Amazon that day itself. Ewan is also a supporter of my book Heart of Glass on Unbound. The evening was well-organised and very pleasant. Watch a couple of clips here: IMG_4671IMG_4673 Ewan was there to greet all the guests. I got to meet Rachel his editor, who introduced him. I was disappointed he did not do a reading and there was no Q & A session as I had burning questions to ask. He was kind, friendly and soft-spoken with his twinkling blue eyes. We talked about Unbound, crowdfunding, books, reading and all the usual lark. I may even have gained some tips. The pub, aptly named The Blacksmith and Toffeemaker, is an old Victorian boozer, amped up to modern trendy standards that we are now accustomed to. I think the venue was well-chosen, spacious, bright, with a back area that could be cordoned off.
Where to start? What nails? I have no more nails to bite. Come to think of it, no cuticles either. Where am I going to get my daily intake of protein from? I’m going to be eating a low carb humble pie from now to eternity. I can stomach this. There is no room for dignity.
It has been a crazy week. I have never done this before. I am learning myself each day. I learn from others. I am learning the ropes. I am learning to give what people want and need, which is this niche I seem to have created, a grave I have dug, back rod I have carved, for myself. The niche of international fiction, postcolonial writing, crime noir, etc. Exactly! What is the et cetera bit?
I have taught myself patience and humility. This is the opposite of vanity publishing. If anybody thinks this, it’s the total opposite. Don’t even go there! Being vain has sold nothing. Ask any cosmetic-peddling salesgirl in a brightly-lit luxury departmental store. Never in my life after three degrees would I think I would have a sales job. Yet now, I have a sales job. I could be selling makeup but I am not selling makeup. I am selling something that does not even exist yet. I am selling the idea of potential, of investment in writing, of myself, selling a dream.
This is me reading from near the beginning, but not the beginning, in my Unbound shed vlog.
My name is Ivy Ngeow and I am an award-winning writer. I am raising funds for Heart of Glass, a finished product, a completed novel of 74,000 words, with Unbound, an imprint of Penguin Random House. When the funding target is reached, the book will be go into publication.
It is a unique story. There is nothing like it on the internet or in the market. It is cross-genre and features themes of music, crime noir, vintage 1980s in an international setting, with an Asian female protagonist. It is an underdog story, addressing issues of life as an immigrant in a big city, whose constant desire for success is often squashed by repeated failure. This is a story that needs to be told. The ambience is rich and stylish. The setting is dark, exciting and exotic, set in the days of disco, drugs, smuggling and casinos.
Please support my project and me as a writer
1/ to make the book a reality. Readers and writers today are part of something exclusive and special, a community, a network, a team.
2/ to invest in the publication. The book does NOT required funding to be written. The funding is purely for pre-sales to enable its publication with Unbound, getting it off my hard drive and into the world.
3/ to promote cultural diversity and the post-colonial writer, who is from an ethnic minority that is under-represented in fiction, a non-English person writing in English. I am not only writing in my second language, I am writing about immigrants.
“It is commercial, punchy, crossover, popular fiction.” – Anna Jean Hughes, Editor, Pigeonhole Publishing